Salvador Herrera, PhD

Assistant Professor at the University of Oregon

Salvador Herrera is an Assistant Professor of Latinx Literature and Cultural Production in the University of Oregon's Department of English. His research and teaching traverses Literary, Performance, and Latinx Studies. Specifically, he analyzes transborder aesthetics to theorize queer life. His work is informed by Chicana feminism, world-systems theory, psychoanalysis, and aesthetic decipherment. Herrera maintains research interests in Queer Theory, Trans Studies, New Materialism, and Border Studies as these fields coalesce around questions of reproduction, nature, and the erotic. He is actively developing a theory of "queer transitivity" for his first book manuscript.

Herrera has written several public-facing articles for Synapsis: A Health Humanities Journal, along with a peer-reviewed article on race, cybernetics, and the role of mediation in border subject formation as part of a 2021 special issue of Intertexts: A Journal of Comparative and Theoretical Reflection.

OrchID; Google Scholar

Email: salh@uoregon.edu

 
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Publications

Refereed Journal Articles

Herrera, Salvador. “Cybersujetos: Reading Border Subjects across Mediums.” Intertexts, vol. 25 no. 1, 2021, pp. 101-130. Project MUSE, doi:10.1353/itx.2021.0005.

 

Scholarly Writings

Herrera, Salvador. "Already Quarantined: Yes, the 'Spanish' Flu was Racist Too." Synapsis: A Health Humanities Journal, July 2020.

Herrera, Salvador. “Attentional Avoidance: America’s 'War' on COVID-19 and Narco-Terrorism.” Synapsis: A Health Humanities Journal. April 2020.

Herrera, Salvador. “Towards an Integral Model of Health: Documenting the Sterilization of Puerto Rican Women.” Synapsis: A Health Humanities Journal. Feb. 2020.

Herrera, Salvador. “Skin Deep: Biometrics and Containment in Sabrina Vourvoulias’s Ink.” Synapsis: A Health Humanities Journal. Nov. 2019.

Herrera, Salvador. “The Power to Kill: The Immunologics and Necropolitics of Whiteness.” Synapsis: A Health Humanities Journal, Oct. 2019.

 

“Metabolizing the Border”: Tanya Aguiñiga and the Affects of Consumption

In this presentation at the Modern Language Association 2021 conference, I theorize towards "affects of consumption" by reading a performance piece by multidisciplinary artist Tanya Aguiñiga titled "Metabolizing the Border.” These affects refer to the social imperatives to consume and be consumed along the lines of racialized and gendered expectations. Affects of consumption limit the senses, prefigure movements, and ultimately burden the body with memories. In the context of Aguiñiga’s performance, “metabolization” is a performative strategy of bodily, psychic, emotional, and social transformation through destructive processes that enact decolonial impulses against affects of consumption in the US-Mexico borderlands.

 
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